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Élément Dublin Core | Valeur | Langue |
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dc.contributor.author | بوجلطي, إكرام | - |
dc.contributor.author | شنافة, مريم | - |
dc.date.accessioned | 2024-09-23T10:46:14Z | - |
dc.date.available | 2024-09-23T10:46:14Z | - |
dc.date.issued | 2024-06 | - |
dc.identifier.uri | http://dspace.univ-tiaret.dz:80/handle/123456789/14845 | - |
dc.description | This study examines the theme of heritage personality in modern Algerian theater through "El Ajwad" play by Abdekader Allola, foucusing on its artistic construction .lt also adresses the emergence of Algerian theater, highlighting its pioneers, their achievements and the issues that concerned Algerian playwrights. Additionally, it aims to define heritage and personality in all its forms (traditional, religious and folk), along with defining theatrical characters of all types (main, secondary,...) and their various objective dimension (physiological, social and psychological )which are closely interrelated. Alloula's emphasis on moral qualities over physical attributes stems from his interest in building characters from within rather than focusing solely on external features, significantly contributing to understanding the characters in "El Ajwad" and their role in conveying the play's social message | en_US |
dc.description.abstract | تقدم هذه الدراسة موضوع الشخصية التراثية في المسرح الجزائري الحديث من خلال مسرحية الأجواد لعبد القادر علولة ، من حيث البناء الفني لها، كما انها تتناول مسالة نشأة المسرح الجزائري مسلطة الضوء على رواده الأوائل ، وانجازاتهم والقضايا التي شغلت المسرحين الجزائريين. | en_US |
dc.language.iso | other | en_US |
dc.publisher | جامعة ابن خلدون-تيارت | en_US |
dc.subject | المسرح الجزائري | en_US |
dc.subject | الشخصية | en_US |
dc.subject | التراث | en_US |
dc.subject | الشخصية المسرحية | en_US |
dc.title | الشخصية التراثية في المسرح الجزائري الحديث | en_US |
dc.type | Thesis | en_US |
Collection(s) : | Master |
Fichier(s) constituant ce document :
Fichier | Description | Taille | Format | |
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TH.M.LET.2024.23.pdf | 2,8 MB | Adobe PDF | Voir/Ouvrir |
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