Please use this identifier to cite or link to this item: http://dspace.univ-tiaret.dz:80/handle/123456789/12707
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dc.contributor.authorحسناوي خيرة-
dc.contributor.authorخثير نجاة-
dc.date.accessioned2023-07-23T08:49:22Z-
dc.date.available2023-07-23T08:49:22Z-
dc.date.issued2023-07-06-
dc.identifier.urihttp://dspace.univ-tiaret.dz:80/handle/123456789/12707-
dc.descriptionThis research deals with the art of the short story in Algeria, which dealt with various issues of man and society, and it developed within the Western and Arab literatures, where the Algerian writers were able to advance this fictional art and considered it a source of attraction for readers, as it mocks the aesthetics and techniques of the best Algerian storyteller, Ammar Belhassan, weaving it and presenting it to the reader, and this is what we glimpsed. In the anecdotal collection Al-Fawanees, which is based on the strong stylistic ability, it influenced the reader and made him read with the pleasure of this text, as previously influenced by the French critic Ronald Bart, which is full of intensification, displacement and irony.en_US
dc.language.isootheren_US
dc.publisherجامعة ابن خلدون تيارت كلية الآداب و اللغاتen_US
dc.subjectالقصة القصيرةen_US
dc.subjectالتكثيف و الانزياحen_US
dc.subjectالمجموعة القصصية الفوانيسen_US
dc.subjectالجماليةen_US
dc.titleطرائق بناء القصة لدى القاص عمار بلحسن "فوانيس" أنموذجاen_US
dc.typeThesisen_US
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