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DC Field | Value | Language |
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dc.contributor.author | بلحبيب, هاشمي محمد | - |
dc.contributor.author | ملياني, محمد | - |
dc.date.accessioned | 2023-02-12T10:10:41Z | - |
dc.date.available | 2023-02-12T10:10:41Z | - |
dc.date.issued | 2022-09-30 | - |
dc.identifier.citation | مجلة فصل الخطاب المجلد 11 العدد 3 | en_US |
dc.identifier.issn | 2602-5922 | - |
dc.identifier.uri | http://dspace.univ-tiaret.dz:80/handle/123456789/8639 | - |
dc.description.abstract | The prosodic poem presented itself with the modernist face of poetry, and its experience started from the dialectic of restrictions, liberation, heritage and modernity; a foundation for this revolution through being influenced by the modernist Western experience in poetry and the rapid transformations that it imposed on the structure of the inherited poetic poem. In an attempt to reproduce this revolution against the performances and weights of Arabic poetry, this study deals with the philosophy of the owners of the prosodic poem in their abandonment of heritage and its liberation from rhythm, because it is only melody and music, which displays a different opinion. | en_US |
dc.publisher | كلية اللغات و الاداب | en_US |
dc.subject | قصيدة النثر | en_US |
dc.subject | القصيدة القديمة | en_US |
dc.subject | الاوزان الشعرية | en_US |
dc.subject | البحور الخليلية | en_US |
dc.subject | الحداثة | en_US |
dc.subject | التجديد | en_US |
dc.title | نص قصيدة النثر و الاوزان الشعرية بين صرامة العروض الخليلي و حلولية الحداثة | en_US |
dc.type | Article | en_US |
Appears in Collections: | مجلة فصل الخطاب |
Files in This Item:
File | Description | Size | Format | |
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نص قصيدة النثر والأوزان الشعرية بين صرامة العروض الخليلي وحلولية الحداثة.pdf | 1,18 MB | Adobe PDF | View/Open |
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