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dc.contributor.authorبلحبيب, هاشمي محمد-
dc.contributor.authorملياني, محمد-
dc.date.accessioned2023-02-12T10:10:41Z-
dc.date.available2023-02-12T10:10:41Z-
dc.date.issued2022-09-30-
dc.identifier.citationمجلة فصل الخطاب المجلد 11 العدد 3en_US
dc.identifier.issn2602-5922-
dc.identifier.urihttp://dspace.univ-tiaret.dz:80/handle/123456789/8639-
dc.description.abstractThe prosodic poem presented itself with the modernist face of poetry, and its experience started from the dialectic of restrictions, liberation, heritage and modernity; a foundation for this revolution through being influenced by the modernist Western experience in poetry and the rapid transformations that it imposed on the structure of the inherited poetic poem. In an attempt to reproduce this revolution against the performances and weights of Arabic poetry, this study deals with the philosophy of the owners of the prosodic poem in their abandonment of heritage and its liberation from rhythm, because it is only melody and music, which displays a different opinion.en_US
dc.publisherكلية اللغات و الادابen_US
dc.subjectقصيدة النثرen_US
dc.subjectالقصيدة القديمةen_US
dc.subjectالاوزان الشعريةen_US
dc.subjectالبحور الخليليةen_US
dc.subjectالحداثةen_US
dc.subjectالتجديدen_US
dc.titleنص قصيدة النثر و الاوزان الشعرية بين صرامة العروض الخليلي و حلولية الحداثةen_US
dc.typeArticleen_US
Collection(s) :مجلة فصل الخطاب



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