Veuillez utiliser cette adresse pour citer ce document :
http://dspace.univ-tiaret.dz:80/handle/123456789/12645
Affichage complet
Élément Dublin Core | Valeur | Langue |
---|---|---|
dc.contributor.author | خيرة بن موسى | - |
dc.contributor.author | هبة سفيان | - |
dc.date.accessioned | 2023-07-12T07:49:24Z | - |
dc.date.available | 2023-07-12T07:49:24Z | - |
dc.date.issued | 2023-06-26 | - |
dc.identifier.uri | http://dspace.univ-tiaret.dz:80/handle/123456789/12645 | - |
dc.description | The subject of present research is to travel through the Qur’anic text aesthetics in the vicinity of Surat Al-Mulk, in which God honored us within this modest study, and what it included pictures receiving of itself, its qualities, and its greatness, and life, death, enticement, and intimidation pictures, and the soul, the believers, the devils, and his absolute power in creation. We have also harvested from its fruits the greatness of the Almighty King, and attached to the holy Qur’an, and striving to win his illnesses, and obtaining the status of the Qur’an people and its own, and escape from the hell, and this is what God distinguished by Surah Al-Mulk, as it is a savior, an argument against its owner on the Judgmentday. We have sought to highlight the status of the recipient in all its types and its relationship to the Quranic text; we also looked at the types of recipients in the Holy Qur’an and the characteristics of each of the recipients to the speech. | en_US |
dc.language.iso | other | en_US |
dc.publisher | جامعة ابن خلدون تيارت كلية الآداب و اللغات | en_US |
dc.subject | جمالية التلقي | en_US |
dc.subject | القرآن الكريم | en_US |
dc.subject | سورة الملك | en_US |
dc.title | جمالية التلقي في القرآن الكريم سورة الملك أنموذجا | en_US |
dc.type | Thesis | en_US |
Collection(s) : | Master |
Fichier(s) constituant ce document :
Fichier | Description | Taille | Format | |
---|---|---|---|---|
جمالية التلقي في القرآن الكريم.pdf | 16,46 MB | Adobe PDF | Voir/Ouvrir |
Tous les documents dans DSpace sont protégés par copyright, avec tous droits réservés.